猎人与骷髅怪 白斌/ 2013 / 中国
制片/导演/摄影/剪辑:白斌
剧情简介
从2008年底开始,白斌(根秋嘉措)创建萨依格姆工作室并开始试验传统西藏文化艺术在当下新媒体领域中的转化。我们将西藏的人文与自然世界以二维动画的方式呈现,寻找传统文化与艺术在当下这个时代的契合点,让古老的艺术样式在新的领域继续发散出那份独特的魅力。在这一过程中团队的成员们被巨大的好奇心驱动,在导演的“鼓动”下走上这条冒险的旅程。最终于2011年底完成了这次试验。 《猎人与骷髅怪》选自在藏东流传的许多民间故事之一:一个上山打猎的男子遇见了恐怖的骷髅怪。男子成为了鬼怪的猎物后他会做出怎样的选择? 这部二维动画片长26分。历时3年于2012年初制作完成。 Beginning at the end of 2008, Bai Bin (Gentsu Gyatso) established Sayigemu Studio and began to experiment with the transformation of traditional Tibetan culture and art in the current new media field. We present the humanities and natural world of Tibet in the form of two-dimensional animation, looking for the meeting point of traditional culture and art in the current era, so that the ancient art style can continue to exude its unique charm in the new field. In the process, the members of the team were driven by great curiosity and embarked on this adventurous journey under the "agitation" of the director. The trial was finally completed in late 2011. "The Hunter and the Skeleton" is selected from one of the many folk tales circulating in eastern Tibet: a man who went hunting in the mountains met a terrifying skeleton. What choice will a man make when he becomes the prey of a ghost? This two-dimensional cartoon is 26 minutes long. It took 3 years to complete in early 2012.
白斌
导演简介

美术学硕士,1978年出生于甘孜。除曾任教9年外,他的主要研究方向是传统艺术在当代艺术语境里的转化,致力于发掘地域文化艺术在当下的潜力。作为四川美术学院培养出来的首位藏族硕士,白斌在对自身民族文化艺术的研究的基础上在多种媒介上对传统艺术形式进行实验,其中包括当代架上绘画、装置、建筑设计、服装和雕塑。自2008年开始,他以独立动画为载体开始对文化自表达和转化进行创作。2012年推出藏族首部动画片《猎人与骷髅怪》引起中国独立动画界的广泛关注,在藏地青年文化生态里置入了一个可供借鉴的样本。该片在海外多个国家展映,特别吸引了各国文化现象研究学者的评论与关注。之后又推出《苹果树》一片,目前正在创作的影片有反映康区木雅文化的《木雅王子》和羌族创世神话《燃比娃盗火》。


Graduated with  Masters Degree in Fine Art in 2004 and Contemporary Art in 2020, Bin Bai (also known as Gentsu Gyatso) lectured visual art at university for 9 years. Meanwhile, he experimented on transforming traditional Tibetan art into contemporary art through paintings, sculptures, architecture, video and animated films. His research is to discover the potential of indigenous arts and culture in the contemporary world. Being the first Tibetan who obtained the Master Degree in Sichuan Fine Arts Institute in China, Bin started his experiments on cultural self-expression and transformation on the foundation of his artistic practise. Among his works, the animated film “The Hunter And the Skeleton”was premiered in 2012 and regarded as  the first Tibetan independent animated film.

          


PUBLICATIONS 出版物



2019   Illustrations, ジャンブ「秘密」, ジャンブ「化けもの探し」,キャプチェン·デトル「立ちはだかるものへ告ぐ」,                  SERNYA チベット文学と 映画制作の現在, vol.6,           Tokyo University of Foreign Study, Tokyo.


2013   Interview, Animation as an Expression of Personal Philosophy, Cultural Monthly文化月刊,vol.340, no 20, pp.64-9, Beijing.


2013   Artist interview, Animation is a Piece of Skin, Case Studies of 11 Artists 动画是一层皮-11个艺术家的工作案例, pp.18-27, Guangzhou. 


2012  Film ‘The Hunter and the Skeleton’ Interview, Lhasa Folk Film Forum 拉萨民间影像论坛, 



2011  The Contemporaneity of Chinese Traditional Painting, Journal of Southwest University for Nationalities, Chengdu.


2004  Story of Thangka Paintings 唐卡的故事, Tibet Tour magazine 西藏旅游, vol. 12, no. 4,  Lhasa.



入围奖项 EXHIBITIONS


 

2015 渥太华西藏电影节,加拿大

2014 西藏电影节,瑞士

2014 第七届双年展,Reel  China,纽约大学,美国

2014 诺丁汉中国独立电影节,诺丁汉大学,英国

2014 从绘画到动画, 四川美术学院,重庆

2013 深圳独立动画双年展,深圳

2013 中国视觉艺术节,国王学院,伦敦,英国

2013 鹿特丹国际电影节,鹿特丹,荷兰

2013 Shadow 中国电影节,巴黎,法国

2013 温哥华国际电影节,温哥华,加拿大

2012 第九届中国独立电影节,南京

2012 第九届北京独立电影节



2021  Bridge Exhibition, TMG Gallery, Adelaide, Australia       

2021  East Wind Exhibition, Nexus Arts Gallery, Adelaide, Australia

2021  HELPMANN cademy Graduate Exhibition 2021, Adelaide, Australia

2020 From Material to Idea, Teaching case studies on Feng Bin’s New Proposal of Chinese Painting, Xi’an, China

2018  Manuscripts of Experimental Animation Exhibition,  Chengdu, China

2011 The Divinity of Bronze - Tibetan Religious Sculpture Exhibition, Southwest University for Nationalities,  China 

2008   Images of Tibet, “This Is Space” Gallery, Beijing, China

2008   Tibetan Buddhist Sculpture Exhibition, Sichuan Art Museum, Chengdu, China

2005   Digital Video Art Show, Home-HAUS, Chongqing, China

2004    Walking on the Road-Unpacked, Artist Commune, Hong Kong

2003 Deconstruction and Reconstruction-Chinese Traditional Painting Exhibition, Chongqing, China

2003    Mein Land - Painting Show, University of Kassel, Germany

2002 Grandma’s Bridge - Chinese Traditional Painting Innovation scholarship Exhibition, Chongqing, China



获奖纪录 AWARDS AND ACHIEVEMENTS

                     

2020 UniSA Creative 2020 年研究生展览获得奖

2015 观众选择奖,渥太华西藏电影节

2013 组委会大奖,深圳独立动画双年展

2012 中国十佳短片奖,第九届中国独立电影节

2012 特别推荐奖,第九届北京独立影像节


2020  Graduate Exhibition Acquisition Prize 2020 by UniSA Creative.

2015  People’s Choice Award, Ottawa Tibet Film Festival, Canada 

2013 Committee’s Grand Award, Shenzhen Independent Animation Biennale, China

2012 Top 10 short film of the year, The 9th Chinese Independent Film Festival, China

2012 The Jury’s Special Recommendation Award, The 9th Beijing Independent Film Festival,China


 

收藏机构 COLLECTIONS

 

栗宪庭电影基金

亚洲文献库

德国卡塞尔大学

南澳大学


Li XianTing’s Film Fund, Beijing

Art Archive, Hong Kong

University of Kassel, Germany

University of South Australia



《猎人与骷髅怪》作品观看