猎人与骷髅怪 Hunter and Skeleton 白斌/ 2015 / 中国
制片/导演/摄影/剪辑:白斌
剧情简介
从2008年底开始,白斌(根秋嘉措)创建萨依格姆工作室并开始试验传统西藏文化艺术在当下新媒体领域中的转化。我们将西藏的人文与自然世界以二维动画的方式呈现,寻找传统文化与艺术在当下这个时代的契合点,让古老的艺术样式在新的领域继续发散出那份独特的魅力。在这一过程中团队的成员们被巨大的好奇心驱动,在导演的“鼓动”下走上这条冒险的旅程。最终于2011年底完成了这次试验。 《猎人与骷髅怪》选自在藏东流传的许多民间故事之一:一个上山打猎的男子遇见了恐怖的骷髅怪。男子成为了鬼怪的猎物后他会做出怎样的选择? 这部二维动画片长26分。历时3年于2012年初制作完成。 Beginning at the end of 2008, Bai Bin (Gentsu Gyatso) established Sayigemu Studio and began to experiment with the transformation of traditional Tibetan culture and art in the current new media field. We present the humanities and natural world of Tibet in the form of two-dimensional animation, looking for the meeting point of traditional culture and art in the current era, so that the ancient art style can continue to exude its unique charm in the new field. In the process, the members of the team were driven by great curiosity and embarked on this adventurous journey under the "agitation" of the director. The trial was finally completed in late 2011. "The Hunter and the Skeleton" is selected from one of the many folk tales circulating in eastern Tibet: a man who went hunting in the mountains met a terrifying skeleton. What choice will a man make when he becomes the prey of a ghost? This two-dimensional cartoon is 26 minutes long. It took 3 years to complete in early 2012.
白斌
导演简介

从2008年底开始,白斌(根秋嘉措)创建萨依格姆工作室并开始试验传统西藏文化艺术在当下新媒体领域中的转化。我们将西藏的人文与自然世界以二维动画的方式呈现,寻找传统文化与艺术在当下这个时代的契合点,让古老的艺术样式在新的领域继续发散出那份独特的魅力。在这一过程中团队的成员们被巨大的好奇心驱动,在导演的“鼓动”下走上这条冒险的旅程。


最终于2011年底完成了这次试验。 《猎人与骷髅怪》选自在藏东流传的许多民间故事之一:一个上山打猎的男子遇见了恐怖的骷髅怪。男子成为了鬼怪的猎物后他会做出怎样的选择? 这部二维动画片长26分。历时3年于2012年初制作完成。



Beginning at the end of 2008, Bai Bin (Gentsu Gyatso) established Sayigemu Studio and began to experiment with the transformation of traditional Tibetan culture and art in the current new media field. 


We present the humanities and natural world of Tibet in the form of two-dimensional animation, looking for the meeting point of traditional culture and art in the current era, so that the ancient art style can continue to exude its unique charm in the new field. In the process, the members of the team were driven by great curiosity and embarked on this adventurous journey under the "agitation" of the director. The trial was finally completed in late 2011. 


"The Hunter and the Skeleton" is selected from one of the many folk tales circulating in eastern Tibet: a man who went hunting in the mountains met a terrifying skeleton. What choice will a man make when he becomes the prey of a ghost? This two-dimensional cartoon is 26 minutes long. It took 3 years to complete in early 2012.



PUBLICATIONS 出版物



2019   Illustrations, ジャンブ「秘密」, ジャンブ「化けもの探し」,キャプチェン·デトル「立ちはだかるものへ告ぐ」,                  SERNYA チベット文学と 映画制作の現在, vol.6,           Tokyo University of Foreign Study, Tokyo.


2013   Interview, Animation as an Expression of Personal Philosophy, Cultural Monthly文化月刊,vol.340, no 20, pp.64-9, Beijing.


2013   Artist interview, Animation is a Piece of Skin, Case Studies of 11 Artists 动画是一层皮-11个艺术家的工作案例, pp.18-27, Guangzhou. 


2012  Film ‘The Hunter and the Skeleton’ Interview, Lhasa Folk Film Forum 拉萨民间影像论坛, 


2011  The Contemporaneity of Chinese Traditional Painting, Journal of Southwest University for Nationalities, Chengdu.


2004  Story of Thangka Paintings 唐卡的故事, Tibet Tour magazine 西藏旅游, vol. 12, no. 4,  Lhasa.



入围奖项 EXHIBITIONS:



2015 渥太华西藏电影节,加拿大


2014 西藏电影节,瑞士


2014 第七届双年展,Reel  China,纽约大学,美国


2014 诺丁汉中国独立电影节,诺丁汉大学,英国


2014 从绘画到动画, 四川美术学院,重庆


2013 深圳独立动画双年展,深圳


2013 中国视觉艺术节,国王学院,伦敦,英国


2013 鹿特丹国际电影节,鹿特丹,荷兰


2013 Shadow 中国电影节,巴黎,法国


2013 温哥华国际电影节,温哥华,加拿大


2012 第九届中国独立电影节,南京


2012 第九届北京独立电影节


2021  Bridge Exhibition, TMG Gallery, Adelaide, Australia       


2021  East Wind Exhibition, Nexus Arts Gallery, Adelaide, Australia


2021  HELPMANN cademy Graduate Exhibition 2021, Adelaide, Australia


2020 From Material to Idea, Teaching case studies on Feng Bin’s New Proposal of Chinese Painting, Xi’an, China


2018  Manuscripts of Experimental Animation Exhibition,  Chengdu, China


2011 The Divinity of Bronze - Tibetan Religious Sculpture Exhibition, Southwest University for Nationalities,  China 


2008   Images of Tibet, “This Is Space” Gallery, Beijing, China


2008   Tibetan Buddhist Sculpture Exhibition, Sichuan Art Museum, Chengdu, China


2005   Digital Video Art Show, Home-HAUS, Chongqing, China


2004    Walking on the Road-Unpacked, Artist Commune, Hong Kong


2003 Deconstruction and Reconstruction-Chinese Traditional Painting Exhibition, Chongqing, China


2003    Mein Land - Painting Show, University of Kassel, Germany


2002 Grandma’s Bridge - Chinese Traditional Painting Innovation scholarship Exhibition, Chongqing, China



获奖纪录 AWARDS AND ACHIEVEMENTS:


                     

2020 UniSA Creative 2020 年研究生展览获得奖


2015 观众选择奖,渥太华西藏电影节


2013 组委会大奖,深圳独立动画双年展


2012 中国十佳短片奖,第九届中国独立电影节


2012 特别推荐奖,第九届北京独立影像节


2020  Graduate Exhibition Acquisition Prize 2020 by UniSA Creative.


2015  People’s Choice Award, Ottawa Tibet Film Festival, Canada 


2013 Committee’s Grand Award, Shenzhen Independent Animation Biennale, China


2012 Top 10 short film of the year, The 9th Chinese Independent Film Festival, China


2012 The Jury’s Special Recommendation Award, The 9th Beijing Independent Film Festival,China



收藏机构 COLLECTIONS


 

栗宪庭电影基金


亚洲文献库


德国卡塞尔大学


南澳大学


Li XianTing’s Film Fund, Beijing


Art Archive, Hong Kong


University of Kassel, Germany


University of South Australia




Li XianTing’s Film Fund, Beijing


Art Archive, Hong Kong


University of Kassel, Germany


University of South Australia


《猎人与骷髅怪 Hunter and Skeleton》作品观看