从2008年底开始，白斌（根秋嘉措）创建萨依格姆工作室并开始试验传统西藏文化艺术在当下新媒体领域中的转化。我们将西藏的人文与自然世界以二维动画的方式呈现，寻找传统文化与艺术在当下这个时代的契合点，让古老的艺术样式在新的领域继续发散出那份独特的魅力。在这一过程中团队的成员们被巨大的好奇心驱动，在导演的“鼓动”下走上这条冒险的旅程。
最终于2011年底完成了这次试验。 《猎人与骷髅怪》选自在藏东流传的许多民间故事之一：一个上山打猎的男子遇见了恐怖的骷髅怪。男子成为了鬼怪的猎物后他会做出怎样的选择？ 这部二维动画片长26分。历时3年于2012年初制作完成。
Beginning at the end of 2008, Bai Bin (Gentsu Gyatso) established Sayigemu Studio and began to experiment with the transformation of traditional Tibetan culture and art in the current new media field.
We present the humanities and natural world of Tibet in the form of two-dimensional animation, looking for the meeting point of traditional culture and art in the current era, so that the ancient art style can continue to exude its unique charm in the new field. In the process, the members of the team were driven by great curiosity and embarked on this adventurous journey under the "agitation" of the director. The trial was finally completed in late 2011.
"The Hunter and the Skeleton" is selected from one of the many folk tales circulating in eastern Tibet: a man who went hunting in the mountains met a terrifying skeleton. What choice will a man make when he becomes the prey of a ghost? This two-dimensional cartoon is 26 minutes long. It took 3 years to complete in early 2012.
PUBLICATIONS 出版物
2019 Illustrations, ジャンブ「秘密」, ジャンブ「化けもの探し」,キャプチェン·デトル「立ちはだかるものへ告ぐ」, SERNYA チベット文学と 映画制作の現在, vol.6, Tokyo University of Foreign Study, Tokyo.
2013 Interview, Animation as an Expression of Personal Philosophy, Cultural Monthly文化月刊,vol.340, no 20, pp.64-9, Beijing.
2013 Artist interview, Animation is a Piece of Skin, Case Studies of 11 Artists 动画是一层皮-11个艺术家的工作案例, pp.18-27, Guangzhou.
2012 Film ‘The Hunter and the Skeleton’ Interview, Lhasa Folk Film Forum 拉萨民间影像论坛，
2011 The Contemporaneity of Chinese Traditional Painting, Journal of Southwest University for Nationalities, Chengdu.
2004 Story of Thangka Paintings 唐卡的故事, Tibet Tour magazine 西藏旅游, vol. 12, no. 4, Lhasa.
入围奖项 EXHIBITIONS：
2015 渥太华西藏电影节，加拿大
2014 西藏电影节，瑞士
2014 第七届双年展，Reel China，纽约大学，美国
2014 诺丁汉中国独立电影节，诺丁汉大学，英国
2014 从绘画到动画， 四川美术学院，重庆
2013 深圳独立动画双年展，深圳
2013 中国视觉艺术节，国王学院，伦敦，英国
2013 鹿特丹国际电影节，鹿特丹，荷兰
2013 Shadow 中国电影节，巴黎，法国
2013 温哥华国际电影节，温哥华，加拿大
2012 第九届中国独立电影节，南京
2012 第九届北京独立电影节
2021 Bridge Exhibition, TMG Gallery, Adelaide, Australia
2021 East Wind Exhibition, Nexus Arts Gallery, Adelaide, Australia
2021 HELPMANN cademy Graduate Exhibition 2021, Adelaide, Australia
2020 From Material to Idea, Teaching case studies on Feng Bin’s New Proposal of Chinese Painting, Xi’an, China
2018 Manuscripts of Experimental Animation Exhibition, Chengdu, China
2011 The Divinity of Bronze - Tibetan Religious Sculpture Exhibition, Southwest University for Nationalities, China
2008 Images of Tibet, “This Is Space” Gallery, Beijing, China
2008 Tibetan Buddhist Sculpture Exhibition, Sichuan Art Museum, Chengdu, China
2005 Digital Video Art Show, Home-HAUS, Chongqing, China
2004 Walking on the Road-Unpacked, Artist Commune, Hong Kong
2003 Deconstruction and Reconstruction-Chinese Traditional Painting Exhibition, Chongqing, China
2003 Mein Land - Painting Show, University of Kassel, Germany
2002 Grandma’s Bridge - Chinese Traditional Painting Innovation scholarship Exhibition, Chongqing, China
获奖纪录 AWARDS AND ACHIEVEMENTS：
2020 UniSA Creative 2020 年研究生展览获得奖
2015 观众选择奖，渥太华西藏电影节
2013 组委会大奖，深圳独立动画双年展
2012 中国十佳短片奖，第九届中国独立电影节
2012 特别推荐奖，第九届北京独立影像节
2020 Graduate Exhibition Acquisition Prize 2020 by UniSA Creative.
2015 People’s Choice Award, Ottawa Tibet Film Festival, Canada
2013 Committee’s Grand Award, Shenzhen Independent Animation Biennale, China
2012 Top 10 short film of the year, The 9th Chinese Independent Film Festival, China
2012 The Jury’s Special Recommendation Award, The 9th Beijing Independent Film Festival,China
收藏机构 COLLECTIONS
栗宪庭电影基金
亚洲文献库
德国卡塞尔大学
南澳大学
Li XianTing’s Film Fund, Beijing
Art Archive, Hong Kong
University of Kassel, Germany
University of South Australia
Li XianTing’s Film Fund, Beijing
Art Archive, Hong Kong
University of Kassel, Germany
University of South Australia