《金色之名》 泥塑电影短片，多屏影像及现场装置 尺寸可变 在双屏影像中，泥土塑造的人物在黑白世界中不断前行，影像开头呈现了一个黑白的世界，黑与白是残酷也是幽默，是真实又是幻念，是人间也是隔世。 故事情节用泥土塑造了人物，泥土的材质赋予人物身躯粗粝的质感，如同历经创伤，象征着那些不可回避的困境和磨难。故事的脉络则暗示着人必须主动面对林林总总的问题和现实。泥土的人物在集体创造一件巨大的不可见全貌的擎天大物，这大物内在是金色的世界，发出召唤和诱惑的光色与声音，人类集体在前仆后继的为它劳作，不惜牺牲彼此，他们取出自身或对方的一部分，献祭给这个大物，大物却不断吞掉为它劳作的人类。一个电子计数时钟在飞速的倒行，在“泥与肉”之间忽隐忽现。整个影片预留了一些意义不明的、开放的阐释空间。擎天大物是不是巴别塔的象征？时间任性倒流着，是不是象征如梦幻泡影般的过往？或许整个影片是对人类集体行为的反思？也或是人类生老病死宿命的寓言？ 与此同时，配合幕墙影像存在的装置散落在周围，屏幕嵌在雕塑里被安置在地面上，金色世界里是翻滚着的人物，仿佛被放置在金色“脐带”里，观众低头观看时如同在井中窥见生命之泉，这充满魔幻的体验感加强了命运的感知。 Clay stop-motion animation short film, multi - screen images and on-site installations Variable in size In the double-screen image, the characters shaped by mud are constantly moving forward in the black and white world. At the beginning of the image, a black and white world is presented. Black and white are both cruel and humorous, real and fantasy, and both human and otherworldly. The plot of the story uses the soil to shape the characters. The material of the soil imparts a rough texture to the characters' bodies, as if they have experienced trauma, symbolizing those unavoidable difficulties and hardships. The context of the story suggests that one must proactively confront the myriad problems and realities. The clay figures are collectively creating a huge invisible celestial thing, which is a golden world inside, emitting the light color and sound of calling and seduction. The human collective is working for it one after another, even at the expense of each other. They take part of themselves or each other and sacrifice to the big thing, but the big thing keeps eating up the human beings working for it. An electronic counting clock was racing backwards, flickering between "mud and meat". The whole film leaves some open space for interpretation of unclear meaning. Is it the symbol of the Tower of Babel? Time willful flow back, is it a symbol of the past like a dream? Perhaps the whole film is a reflection on collective human behavior? Or an allegory of human life and death? At the same time, the devices supporting the image of the curtain wall are scattered around, and the screen is embedded in the sculpture and placed on the ground. The rolling figures in the golden world seem to be placed in the golden "umbilical cord". When the audience looks down, it is like seeing the spring of life in the well, which is full of magical experience and strengthens the perception of destiny.